September 27 - February 1
Futura, Prag, Czech Republic
RISD Museum of Art, Providence, Rhode ISland
| CARLOS MOTTA, Artist | |||||||||||||
| THE GOOD LIFE (2005-2008) | |||||||||||||
| SOA CYCLE (2005-2007) | |||||||||||||
| Brief History of US Interventions, 2006 | |||||||||||||
| LENINGRAD TRILOGY (2006) | |||||||||||||
| Leningrad Trilogy | |||||||||||||
| Leningrad,Petrograd,Petersburg | |||||||||||||
| VIDEOS (2005-2008) | |||||||||||||
| Where Do I Stand?, 2008 | |||||||||||||
| Memory of a Protest, 2007 | |||||||||||||
| September 22, 2005 | |||||||||||||
| Letter to my father(standing by the fence), 2005 | |||||||||||||
| BURY THEM AND KEEP QUIET (2004) | |||||||||||||
| Enterrar y Callar | |||||||||||||
| Untitled # 1 | |||||||||||||
| PHOTOS/INSTALLATIONS (2002-2008) | |||||||||||||
| Untitled (Graffiti Cuts)new! | |||||||||||||
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| Gigantic Intervention | |||||||||||||
| Pesca Milagrosa | |||||||||||||
| Untitled 117 | |||||||||||||
| Land M(y)ne | |||||||||||||
| Public Domain | |||||||||||||
| COLLABORATIONS | |||||||||||||
| HOMEWORK | |||||||||||||
| UNMASKED | |||||||||||||
| RESUME/BIO | |||||||||||||
| ARTIST STATEMENT | |||||||||||||
| CONTACT | |||||||||||||
| CURRENT NEWS, EXHIBITIONS: | |||||||||||||
| - Carlos Motta named Guggenheim Fellow 2008, John Simon Guggenheim Foundation | |||||||||||||
| - The Good Life, Online Archive,ongoing project, Art in General | |||||||||||||
| -
The Greenroom: Reconsidering
the Documentary in Contemporary Art,CCS
Galleries and Hessel Museum of Art, Bard College September 27 - February 1 |
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| -
Archivo
Sur, September 23- November 30, 2008 Futura, Prag, Czech Republic |
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| - Ours: Democracy in the Time of Branding, Vera List Center for Art and Politics at The Sheila C. Johnson Design Center at Parsons, October 15-January 30, 2009 | |||||||||||||
| -
Alternating
Beats, October 17- February 22, 2009 RISD Museum of Art, Providence, Rhode ISland |
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| - The Prisoner's Dilemma, cifo, December 3- March 1, 2009 | |||||||||||||
| - Soft Manipulation Or Who Is Afraid Of The New Now, Casino Luxembourg, December 20-March 1, 2009 | |||||||||||||
| - Carlos Motta: The Immigrant Files, Democracy Is Not Dead, It Just Smells Funny, Konsthall C, Stockholm, January 25- March | |||||||||||||
| AND TEXTS & INTERVIEWS: | |||||||||||||
| - Carlos Motta's The Good Life, Video Inteview, Smack Mellon | |||||||||||||
| - Speaking Democracy: Carlos Motta's The Good Life, by Stamatina Gregory | |||||||||||||
| - Civilization or Barbarity, by Carlos Motta | |||||||||||||
| - An Interview on the Interview: A Conversation with Carlos Motta, by Eva Díaz | |||||||||||||
| - Carlos Motta in Conversation with Runo Lagomarsino, Whitehot Magazine, September 2008 | |||||||||||||
| - Victim's Dignity, An Interview with Carlos Motta, "Victims' Symptom Blog (Post-Traumatic Stress Disorder and Culture)," Labofculture.org (Interview) | |||||||||||||
| - Artists around the globe are turning Socialist Realism on its head, layering the once-potent tool of propaganda with irony and nostalgia, Artnews, January 2008 | |||||||||||||
| - Carlos Motta:Consistently Aware, by Sofía Hernández Chong- Cuy (Article), ARTE AL DIA INTERNACIONAL May 2007 | |||||||||||||