| CARLOS
MOTTA, Artist |
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| THE
GOOD LIFE (2005-Present) |
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| SOA
CYCLE (2005-2007) |
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| Brief
History of US Interventions, 2006 |
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| LENINGRAD
TRILOGY (2006) |
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| Leningrad
Trilogy |
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| Leningrad,Petrograd,Petersburg
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| VIDEOS
(2005-2008) |
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| Where
Do I Stand?, 2008 |
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| Memory
of a Protest, 2007 |
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| September
22, 2005 |
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| Letter
to my father(standing by the fence), 2005 |
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| BURY
THEM AND KEEP QUIET (2004) |
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| Enterrar
y Callar |
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| Untitled
# 1 |
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| PHOTOS/INSTALLATIONS
(2002-2008) |
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| Untitled
(Graffiti Cuts)new! |
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| Gigantic
Intervention |
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| Pesca
Milagrosa |
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| Untitled
117 |
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| Land
M(y)ne |
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| Public
Domain |
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| COLLABORATIONS |
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Arts
& LEISURE |
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| HOMEWORK |
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| UNMASKED |
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| RESUME/BIO |
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| ARTIST
STATEMENT |
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| CONTACT |
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| CURRENT
NEWS, EXHIBITIONS: |
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| -
Carlos Motta named Guggenheim Fellow 2008,
John
Simon
Guggenheim
Foundation |
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Urban
Concerns, Johannesburg
Art Gallery, South Africa |
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The
People... ,
KZNSA,
Durban Kwazulu Natal, South Africa |
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| AND
TEXTS: |
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CARLOS
MOTTA: THE GOOD LIFE, ICA
Philadelphia, Exhibition
Brochure
and Essay here
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Victim's
Dignity, An Interview with Carlos Motta, "Victims'
Symptom
Blog (Post-Traumatic Stress Disorder and Culture),"
Labofculture.org
(Interview) |
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Artists
around the globe are turning Socialist Realism on its head,
layering the once-potent tool of propaganda with irony and
nostalgia,
Artnews,
January 2008 |
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In
pictures of ethereal specks and kaleidoscopic explosions of
color, photographers are embracing abstraction,
Artnews,
March,
2008
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Carlos
Motta:Consistently Aware, by Sofía Hernández
Chong-Cuy
(Article), ARTE AL DIA INTERNACIONAL May 2007 |
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